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$IGNAL$ 024: WHO GETS TO CHANGE IT?

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A waistband. A mix. A machine that develops unfamiliar behavior.

Creative control leaves evidence. This week offers three places to look for it.

 

THE COLLABORATOR TOUCHES THE PATTERN

Adidas’ adiSignature collection, developed with Willy Chavarria as creative advisor, launches October 23. The changes reach into familiar clothing: proportions, fabrics and construction.

The interesting territory is inside the object. A collaboration becomes easier to understand when someone can point to a decision and explain why it changed.

For a brand commissioning creative talent, that suggests a useful starting point: give the collaborator something consequential to decide.

READ: ADIDAS ADISIGNATURE

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FOLLOW THE REVISION

Moises and SoundCloud announced a connection between music creation and distribution on October 21. Artists can bring eligible tracks into Moises, work on them and publish finished music back to SoundCloud.

The announcement supplies a workflow. The compelling story would follow a musician through it.

Which take survives? What gets removed? Where does the artist reject the suggestion?

Those moments could make creative agency visible. They also give a technology company something specific to demonstrate when it promises to support artists.

READ: MOISES AND SOUNDCLOUD

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CODE ACQUIRES A HISTORY

At Harvestworks on Governors Island, In Other Forms brings together artists working across machines, sound and computational life. It continues on weekends through November 1.

Among them, Angela Ferraiolo develops systems whose forms and behaviors emerge through continued operation.

That changes what a visitor encounters. Time and interaction become part of the work’s development. For anyone commissioning an installation, it opens a demanding possibility: create something worth returning to because it can behave differently.

READ: IN OTHER FORMS

 

THE SIGNAL

A useful collaboration brief should specify who gets to change what.

Give an artist authority over a meaningful decision. Give a musician tools whose effects they can examine and revise. Give an installation enough behavioral depth to reward another encounter.

Then show the consequences.

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rots@rotsworldwide.com

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